Movies
- 1975

Articulation of Boolean Algebra for Film Opticals
Articulation of Boolean Algebra for Film Opticals91975HD
Made out of six patterns of alternating black and white imposed upon the full surface of the film strip.
![Articulation of Boolean Algebra for Film Opticals]()
- 1982

Palace of Error
Palace of Error01982HD
“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad
![Palace of Error]()
- 1974

Film Feedback
Film Feedback01974HD
Negative image is shot from a small rear-projection screen, the film comes out of the camera continuously (in the dark room) and is immediately...
![Film Feedback]()
- 2012

Lower East Side 12.12.12: Tony Conrad Interviewed by Michael Cohen
Lower East Side 12.12.12: Tony Conrad Interviewed by Michael Cohen02012HD
Tony Conrad interviewed on the streets of NYC.
![Lower East Side 12.12.12: Tony Conrad Interviewed by Michael Cohen]()
- 2002

Scanty Claus
Scanty Claus02002HD
Mrs. Claus complains because Santa is away.
![Scanty Claus]()
- 1983

Beholden to Victory
Beholden to Victory01983HD
Using the devices of the war film genre, Tony Conrad cast his film with friends and colleagues, such as Mike Kelley, David Antin, Sheldon Nodelman, ...
![Beholden to Victory]()
- 1973

7302 Creole
7302 Creole01973HD
![7302 Creole]()
- 1981

Accordion
Accordion01981HD
“A man, an accordion, a ladder, and a video camera. It’s as simple as that.” - Andrew Lampert
![Accordion]()
- 2005

Conversation II
Conversation II02005HD
A short video by Tony Conrad.
![Conversation II]()
- 1980

Teddy Tells Jokes
Teddy Tells Jokes01980HD
This exquisite single shot is a complement to Combat Status Go. Here the viewer is positioned casually, even though every other element in the film...
![Teddy Tells Jokes]()
- 1973

7360 Sukiyaki
7360 Sukiyaki01973HD
Film notable for being created by physically "cooking" the film stock, similar to his other 1973 work, "Curried 7302". The name likely references...
![7360 Sukiyaki]()
- 1977

Concord Ultimatum
Concord Ultimatum01977HD
"Originally intended as one scene in a larger work concerned with the metaphorical destruction of the viewer (through demolition of the camera),...
![Concord Ultimatum]()







