Movies
- 1972

Anchors
Anchors01972HD
A super-8mm work documenting Acconci's audio installation piece in the Sonnabend gallery in 1972 of the same name.
![Anchors]()
- 1971

Training Ground
Training Ground01971HD
A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...
![Training Ground]()
- 1970

Openings
Openings01970HD
Acconci's body-based performances are often willfully provocative in their testing of physical limits and controlled actions. Here, as the camera...
![Openings]()
- 1980

Journeys from Berlin/1971
Journeys from Berlin/19718.81980HD
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
![Journeys from Berlin/1971]()
- 1970

Applications
Applications01970HD
A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...
![Applications]()
- 2009

The Art of Time
The Art of Time02009HD
Explores some of the most innovative attempts by contemporary artists, filmmakers, architects etc to explore multiple Temporalities and to counter...
![The Art of Time]()
- 1970

Corrections
Corrections01970HD
"Unavailable until recently, Corrections is Acconci's first single-channel video. Back to the camera, with only his head and bare shoulders visible,...
![Corrections]()
- 1973

Willoughby Sharp Videoviews Vito Acconci
Willoughby Sharp Videoviews Vito Acconci01973HD
This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...
![Willoughby Sharp Videoviews Vito Acconci]()
- 2007

Seven Easy Pieces
Seven Easy Pieces22007HD
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own,...
![Seven Easy Pieces]()
- 1991

The Golden Boat
The Golden Boat6.51991HD
Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling...
![The Golden Boat]()
- 1970

Break-Through
Break-Through01970HD
"Super-8 camera held out before him as shield and surrogate, Acconci pushes through a landscape of dense reeds and overgrowth. Break-Through records...
![Break-Through]()
- 1971

Pryings
Pryings01971HD
A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...
![Pryings]()
- 1973

Reception Room
Reception Room01973HD
Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...
![Reception Room]()
- 1981

How to Fly
How to Fly01981HD
With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize...
![How to Fly]()
- 1973

Home Movies
Home Movies01973HD
In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in...
![Home Movies]()
- 1971

Centers
Centers01971HD
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.
![Centers]()
- 1971

Remote Control
Remote Control01971HD
The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels,...
![Remote Control]()
- 1970

Rubbings
Rubbings01970HD
"Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix
![Rubbings]()
- 1970

See Through
See Through01970HD
"Acconci spars with his close-up image in a mirror. He then breaks the mirror, destroying his image." - Electronic Arts Intermix
![See Through]()
- 1974

Turn-On
Turn-On01974HD
The back of Acconci's head is seen in tight close-up. He hums to himself, first lyrically, then aggressively, violently. Suddenly he wheels around to...
![Turn-On]()















