Gary Hill Movies
- 2008

Figuring Grounds
Figuring Grounds02008HD
Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...
![Figuring Grounds]()
- 1979

Picture Story
Picture Story01979HD
“A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...
![Picture Story]()
- 1979

Soundings
Soundings01979HD
Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...
![Soundings]()
- 1978

Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...
![Primary]()
- 1979

Equal Time
Equal Time01979HD
In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...
![Equal Time]()
- 1989

Site/Recite (a prologue)
Site/Recite (a prologue)01989HD
With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...
![Site/Recite (a prologue)]()
- 1965

Skaterdater
Skaterdater6.31965HD
The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...
![Skaterdater]()
- 1978

Mouthpiece
Mouthpiece01978HD
Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...
![Mouthpiece]()
- 1976

Mesh
Mesh01976HD
A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...
![Mesh]()
- 1979

Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
![Resolution]()
- 2004

Gary Hill: I Believe It Is an Image
Gary Hill: I Believe It Is an Image02004HD
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...
![Gary Hill: I Believe It Is an Image]()
- 1980

Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
![Processual Video]()
- 2000

Performative images. My skin its skin (per)forming another skin where I voice from
Performative images. My skin its skin (per)forming another skin where I voice from02000HD
DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.
![Performative images. My skin its skin (per)forming another skin where I voice from]()
- 2012

Cutting Corners Creates More Sides
Cutting Corners Creates More Sides02012HD
Two channel video installation. A spoken text …rummages through piles of surplus; boxed accouterments and that unaccounted for...
![Cutting Corners Creates More Sides]()
- 1978

Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
![Elements]()
- 1988

Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
![Disturbance (among the jars)]()
- 1984

Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
![Why Do Things Get in a Muddle? (Come On Petunia)]()
- 1979

Objects with Destinations
Objects with Destinations01979HD
Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...
![Objects with Destinations]()
- 1977

Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
![Bits]()
- 1988

Incidence of Catastrophe
Incidence of Catastrophe01988HD
In the video, Thomas the protagonist is played by Hill which confounds the self-reflexive nature of the book’s relationships all the more,...
![Incidence of Catastrophe]()













